
This
year, SOCINTEGRA has become part of the International Festival of Contemporary
Theatre “Homo Novus”, contributing its expertise to making three festival
performances accessible to people with visual impairments. SOCINTEGRA has been
involved in adapting three performances: “AAA”, “Dārzs virs kapa” and “Upes
tūres. Daugava”.
Marija
Kožarina, Chairwoman of the Board of SOCINTEGRA: “Taking part in ‘Homo Novus’
has been a very interesting and valuable experience for us. We are used to
talking about tactile maps, models, Braille or audio description, but in
contemporary performing arts, accessibility takes on entirely different forms.
Every performance is different, so there is no single ready-made solution that
can be applied to all of them. We need to understand the artistic concept of
each particular performance and work together with its creators to find ways to
make the experience more complete for people with visual impairments as well. I
am very pleased that ‘Homo Novus’ is thinking about these issues and involving
experts in the process of creating accessibility.”
The
performances in the festival programme to which SOCINTEGRA has contributed
differ significantly both in their artistic form and in the way audiences
experience them.
“AAA”
is a work by choreographer and performing artist Jana Jacuka that explores the
voice as a means of choreographic expression. The voice becomes an extension of
the body, while breath becomes a means of communication with the audience. The
work is inspired by the vocal practice of yodelling, using extreme vocal
techniques and unpredictable shifts in the voice. For this performance,
SOCINTEGRA developed an audio description. A particular challenge was the
improvisational nature of the performance - what happens on stage can change,
meaning that the audio description must be able to follow these changes.
“Dārzs
virs kapa” is a visceral audio performance created by the Finnish arts
collective WAUHAUS and staged in a cemetery. It combines a listening experience
with somatic practices, death meditation and rituals. During the performance,
participants are invited to carry out simple actions - sometimes alone and
sometimes together with others. For one hour, the cemetery becomes not only a
place associated with the end of life, but also a garden where decay gives way
to new life.
“Upes
tūres. Daugava”, created by Latvian artists in collaboration with the UK
theatre company Stan’s Cafe, invites audiences on a 45-minute journey along the
Daugava River, exploring stories of flooded towns, elements of folklore, the
history of hydroelectric power stations, the journeys of migrating animals and
people’s lives.
SOCINTEGRA’s
experience shows that the best results in cultural accessibility are achieved
when the needs of different audiences are considered from the very beginning of
the creative process and solutions are developed in collaboration with the
users themselves - people with visual impairments. In contemporary performing
arts, this approach opens up particularly broad possibilities, as an artwork
can be experienced through much more than sight alone. Sound, voice, movement,
space, touch and other elements can all become part of a complete cultural
experience.
About
“Homo Novus”
The
International Festival of Contemporary Theatre “Homo Novus” is Latvia’s leading
contemporary performing arts festival and one of the largest of its kind in the
Baltic region. Held in Riga, the festival introduces audiences to both emerging
and established artists whose work reflects an ongoing engagement with and
perspective on the contemporary world and society.
Alongside
its diverse programme of performances, the festival provides opportunities for
creative experimentation, theoretical and educational programmes, and other
activities. Since 1995, 21 editions of the festival have taken place in
Daugavpils and Riga, presenting more than 400 guest performances and producing
several dozen new works.
